30 Jan Street Style Photography Tips
Giuseppe Esposito-Rodriguez has photography in his genes. He was born in Venezuela, the son of an Italian who loved to photograph landscapes and a Portuguese woman who was fond of travel photography. It was obvious that Giuseppe would follow in the footsteps of his photographic parents.
Since 2013, he has lived in Dublin, walking along the river and photographing the waterfront lanterns, creating cinematic yet expressive images that have already featured in publications such as Lonely Planet and Culture Trip. Previously, Giuseppe regularly used the Canon EOS 5D Mark III (next generation available: Canon EOS 5D Mark IV ) with the following lenses: Canon EF 24-70mm f2.8L II USM , Canon EF 50mm f / 1.4 USM and Canon EF 85mm f /1.4L IS USM… Recently, he began researching the capabilities of the Canon EOS M6 Mark II ultraportable model.
“The Canon EOS M6 Mark II is a versatile tool for street photography enthusiasts, with a high-resolution 32.5MP sensor, 14fps burst mode and high-quality video (4K without cropping) and also provides a comfortable grip thanks to the comfortable grip, which helps to work outdoors for a long time. ” Like other Canon EOS M cameras , the EOS M6 Mark II can be used with the Canon EF-EOS M Mount Adapterand thus the freedom to choose from over 80 EF and EF-S lenses, including specialized models such as macro lenses and fisheye lenses.
In this article, Giuseppe shares his approach to photography, as well as tips and techniques for creating unusual street photography.
- Remember the legality of filming other people
It is always a good idea to inquire about whether street photography is legal in the location where you plan to photograph. However, in most countries, taking photographs in public places is generally allowed by default, unless otherwise specified by law, and this includes photographing passers-by on the street and people in public places such as parks. But not everyone is happy to be photographed. Giuseppe says: “I usually quickly show these people the pictures I’ve taken, and I hope they will appreciate my creativity. Sometimes I show them my Instagram profile so that they can understand that I take pictures solely for the love of art, after which people usually calm down. “
- Find the best vantage point
Crowded places are one of the main challenges in this genre of photography. “Everything is constantly moving,” says Giuseppe. – And light, and people, and surrounding objects. If you come to the same place tomorrow, you will not see much of what happened yesterday. Just accept the fact that you cannot control all factors. All you can do is think through the idea and try to predict how you will be able to implement it. It’s all about using the possibilities of the scenario that the world around you offers you. “
Giuseppe strives to provide himself with more opportunities – first he finds a suitable background, and then looks for a place to shoot from. I can change position a little to capture what is happening from a different angle or create a different perspective, but most of the time I am in a place where the background will blend well with the people in the frame, and I just wait. “
- Choose the right shooting mode to tell the story
Giuseppe has many years of shooting experience behind him, and according to him, it is best to use the aperture priority (Av) mode for street photography. “You don’t have to control everything at once, just aperture and possibly ISO. You can choose higher ISO values if you shoot at night, but during the day you can work with faster shutter speeds and a narrower aperture, which will increase the chances of getting clear shots with moving subjects in focus. ”
Usually Giuseppe uses an open aperture (low f-number), which allows him to create a special cinematic effect. “By shooting at f / 1.4, f / 1.8, or f / 2.8, I can focus on the subject and at the same time blur the background. So he remains an important part of the story, but at the same time the viewer is not distracted by many details in the picture. “
- Choose a lens according to the scene
“People might say that 28-55mm focal lengths should be used for street photography, as this creates a natural perspective closest to what the human eye sees,” says Giuseppe. He uses the Canon EF-M 32mm f / 1.4 STM lens to create the wide-angle compositions he loves. “This lens is very versatile and fits almost any situation I work in,” he says. “I especially love how it allows me to create atmospheric compositions by focusing on the entire scene rather than on a single subject.”
Recently, the photographer not only works in wide-angle mode, but also shoots from a long distance. “I recently found myself comfortable with telephoto lenses, although many professionals do not recommend using them. I think that this opinion is rather stereotyped. Shooting at an 85mm focal length with a telephoto zoom lens like the Canon EF-M 55-200mm f / 4.5-6.3 IS STM allows me to keep my distance to the subject so as not to disturb their space, but at the same time isolate them in frame the scene and create blurry backgrounds that I like. “
- Focus on your subject
According to Giuseppe, the Canon EOS M6 Mark II truly sets new standards for photography. “It has fast, accurate autofocusing and very effective face and eye tracking.” However, Giuseppe encourages other street photographers to use manual focus for creative effects. “For example, I want to focus on one person in the center of the composition, but I want everyone who passes by to remain blurred to create a sense of movement. In such situations, manual focus will be more effective. ”
- Look for ways to create
Giuseppe recommends using unusual angles or viewpoints to create unique images. One of his favorite techniques is to use reflections from glass and other glossy surfaces. “I find people who are behind glass, be it a bus window or a cafe, and then I look for an interesting object in the reflection – it could be a building, a car or another person,” he says. “It allows for multi-faceted and atmospheric images.”
In addition to windows, Giuseppe encourages people to pay attention to puddles and bodies of water and use them to create interesting compositions.
He also recommends shooting against the sun and using artificial lighting. “Light is the foundation of photography, and we all know it, but it’s how lighting is used that determines the impact of an image,” he says. Harsh light or direct sunlight gives you the opportunity to experiment with shooting silhouettes. This works especially well if you don’t want to include a person’s face in the shot. ”
“It also happens that I use artificial light from street lamps or signage because it creates atmosphere and helps to emphasize the desired areas of the frame.”